Bill Clegg

Finding Beauty and Joy in Simple Moments

Bill Clegg is a watercolor artist whose work explores the quiet beauty of everyday objects and coastal life. Through transparent layers of watercolor, Bill captures light, texture, and color in subjects ranging from lobster buoys and oyster shells to glass bottles, fruit, and simple architectural details.

Living in New England, Bill Clegg draws inspiration from the natural surroundings of the coast as well as the small objects that often go unnoticed. A rope coiled on a dock, a weathered buoy, or a branch of lemons can become the starting point for a painting. These subjects offer opportunities to explore the subtle color shifts, reflections, and shadows that watercolor handles so beautifully.

After retirement from a successful career in commercial Interior Design Bill works with local nonprofits to obtain growth and visibility, including the Simsbury Performing Arts Center. Bill’s career was highlighted with being awarded the position of Fellow with the International Interior Design Association. A designation given to very few and the only in Connecticut.

Working primarily in watercolor on paper, Bill focuses on careful observation and expressive brushwork. His paintings often combine realistic detail with loose washes, allowing the medium to create soft edges and unexpected textures. This balance between control and spontaneity is part of what makes watercolor such an engaging and rewarding medium.

Many of Bill’s paintings are small studies of light and form—simple compositions that highlight the character of a single object or quiet scene. Nautical elements such as buoys, rope, and shells reflect the traditions of coastal communities, while botanical and still-life subjects explore color, shape, and pattern.

Through these paintings, Bill hopes to encourage viewers to slow down and notice the beauty in ordinary moments and familiar objects.

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Jean Arcand

Art is part of our soul. Beauty can be found in everything from old trucks to blooming flowers. I find many exciting subjects from my own backyard. I find many exciting subjects to paint when my husband and I travel to antique car shows.
I paint Plein air, take photos and bring the references back to my studio. I start with a strong underpainting of dark earth tones. Doing this first helps me find a rhythm that moves you through the painting. Many times some underpainting will show through. My tools are good brushes, a smooth linen surface, and a limited pallet of buttery paint.
I didn’t have formal training. I have taken workshops with great artists like David and Pam Lussier, Tim Horn, and Todd Bonita. My goals are a one-man show and to be accepted in more galleries.