Gretchen Geromin and Lauren Merlo work as a team, collaborating on unique, handmade boards and signs with original wood burned art. Working with local downed trees, Lauren makes the boards. Gretchen then wood burns them birds, mice, horses, flowers, cats, dragons and more. They welcome commissions and can be found at our shows.
Our monthly council meeting will be held at the Ashford Senior Center.
The public is always welcome to attend – as are any current or potential members who would like to help out!
This meeting will focus on our annual Holiday Artist Market.
Charles McCaughtry will have his Spring Open House on the following dates; Saturday April 27th; Sunday April 28th; Saturday May 4th and Sunday May 5th. Hours for all days are 10am to 6pm. The studio is located at 44 Portland Drive in Ashford. Phone: 860-429-1016. Studio Gallery is open at other times by appointment.
Valerie Oliver will be giving a talk about her publication The Historical Society of Early American Decoration,
its historical record at the Babcock Library at 10:00 a.m. on May 11th, a Saturday. There will also be a tea, and she will display a few objects decorated using the
historical techniques. She will speak about how she came to write the history and what it revealed about a mostly female led group since its founding in 1946, etc. Valerie was a Society Trustee from 2002-2012 and Pres. 2011 and 2012 and is currently their Historian and asst. editor of their journal The Decorator.
The very popular Ashford Area Arts Council’s “Holiday Artist Market” event will be in its 8th year, with more than 20 local artisans both days. With joyful with upbeat acoustic music on the stage, enjoy a holiday shopping experience and see what our ample community of artists and craftsmen has been creating. So much variety and all of it inspired, well-made, beautiful, and unique. Shop local & support our arts community. Continue reading “Holiday Artist Market – Nov. 16th-17th, 2024”
Tony Paticchio will be hosting six new ZOOM
poetry workshop sessions beginning February 5th.
The sessions meet bi-weekly from 6:00-8:00 PM
Eastern Time, generally on Monday evenings.
There are a few openings (2-3) if anyone is interested
in joining. They spend the first hour reading
and discussing a selection of poems, usually from
contemporary and near contemporary poets. During the second hour they
workshop their own poetry and short prose pieces. You do not need to
be a writer to participate. They are looking for participants who have an
interest in poetry and would like to read and discuss poems together with
a group (and if so inclined share their own work with the group).
Contact Tony if you are interested or have questions. They are a wide-ranging group, having several members who join them from as far away as the West Coast.
Back by Popular demand!
The Central Connecticut Woodturners Club and the
Ashford Area Arts Council will have another pen
turning event on Saturday Feb. 24 from 10 to 2 at
Knowlton Hall. Absolutely no woodturning experience
necessary…and the event is FREE!
Open to all ages: any kids must be at least 10 years old to participate. There will be plenty of skilled woodturners there to guide you in creating a beautiful pen! No reservations needed, just come between 10am – 2pm.
Jane Rackliffe is a fused glass artist from Ashford, Connecticut and North Port, Florida. She is currently teaching fused glass in Florida and enjoys her studios in both locations year round. Her work can be view on her website, and is currently on display at the Moon and the Monocle in Willington, CT.
Dan has been an active potter since 2014. He teaches hand building techniques and working on the potters wheel in a retirement community in Florida during the winter and works out of his studio In Ashford from May through September.
Some of his work work can be seen at DanRackliffePottery.com or contact him by email.
Steve Gerling has been doing relief woodcarving since the mid-1970’s. He has a Bachelor of Fine Arts degree from UConn, with a major in sculpture. After school, he was drawn to the additional challenges of relief carving. Not only did an object have to be sculpted but it had to be skillfully distorted
in scale, perspective, and space to create an image convincing to the viewer.
Traditionally, most relief work was intended as decoration or embellishment to works of architecture or fine cabinetry. Steve chooses to make the carving the primary object. While much of the work were objects of fine woodworking, using them as a utilitarian frame, the main focus of attention has always been the carving.
